Wendy's Sweet publishing deal

Wendy Higgins is the latest inkpop sensation to land a coveted contract with HarperCollins through the writers community. She shares with us some insights into her publishing journey so far.

 

Would you give us an insight into SWEET EVIL and how you came up with the idea?

What if there were teens whose lives literally depended on being bad influences? This is life for sons and daughters of fallen angels in SWEET EVIL.

Anna, a tender-hearted Southern girl, was born with the sixth sense to see and feel emotions of other people. She’s aware of a struggle within herself, an inexplicable pull toward danger, but it isn’t until she turns sixteen and meets the alluring Kaidan Rowe that she discovers her terrifying heritage, and her will-power is put to the test. He’s the boy your daddy warned you about. If only someone had warned Anna.

A cross-country trip forces Anna and Kai to face the reality that hope and love are not options for their kind. When it’s time for Anna to confront her demons, will she choose to embrace her halo or her horns?

This is the hardest question to answer [how she came up with the idea], because it was a ton of little things, and I don’t know where to begin. Basically, once I’d decided I wanted to write for teens I began brainstorming, just for fun. I’d never written fantasy, so I assumed I’d take the realistic route. But then angels and demons popped into my head because of an adult satire I’d read the week prior. I’m fascinated by angels, so it was fun to throw ideas around in my head. It came together very quickly. Within that same day I’d created the main characters, what their powers/specialties would be, and the fact that there’d be a road trip. It came together like a puzzle over time.

Tell us a bit about your experience writing and querying prior to inkpop?

I was impatient, like most writers, and I started querying after my first draft, long before the manuscript was ready. I’d only let my best friend read it at that point. I lost track of how many rejections I received. I deleted the emails and threw away the paper rejections because they were bad for morale, but they were also a reality check. I needed serious critique from fellow writers. I started searching online, and that’s how I came across inkpop.

What was your first impressions of inkpop when you joined up?

I joined during the days when MIC (Morgan Shamy) was the Top Trendsetter. She was the first to pick my book, and then it spent a few days on the top three picks. At the time I didn’t understand exactly what that meant, but I thought it was super cool to see my cover on the home page, haha. J A lot of people gave me free reads, all of which I returned right away. My first impression was that Inkpoppers were very giving and encouraging. It was an awesome experience to feel immediately welcomed into the fold. I’m friends with Morgan to this day.

Describe for us the feelings when you found out you were going to be published by HC?Shock, disbelief, then joy. When I wasn’t contacted by HarperCollins right after my review, I put the idea of it behind me and moved on. I was absolutely not expecting to ever hear from them, so when I did I was almost confused at first, like there’d been some sort of mistake!

Tell us a bit about the editing experience you've had for SWEET EVIL?

I had about six serious critique partners who read my whole manuscript when it was ANGEL PROPHECY, and again after major revisions. They sifted through a lot of crud and helped me whip it into shape before it got into the hands of my actual editor at HarperCollins, Alyson Day. Alyson’s notes to me mostly consisted of places where the content needed to be clarified, condensed, or expanded. I ended up cutting about 10k words, and adding back 8k in new scenes that she’d advised. Currently the story is with copy editors, so that will be the next and final step.

What's left to come for you in the publishing process and what are you looking forward to the most?

There is a ton of behind-the-scenes stuff, which I’m not always privy to. The folks at HC are putting together a marketing plan now. I’m excited to get the book on Goodreads. But what I’m most looking forward to is seeing what cover art they come up with! I can’t wait! [Neither can I!]

How important do you think social networking is for writers in today's market and what are you doing on that front?

I think it’s important, but I also think it can be a hindrance. There needs to be a good balance. Authors who are accessible online and personable will reap the benefits of building those relationships. But you also don’t want to flog yourself to death and make people sick of you. Right now I’m on twitter, I have my website, Facebook, and group blog, but I’m honestly not very good at social networking because of the time it requires. I hope to be better at it when my kids are in school.

How do you think writers' communities are going to affect the publishing industry?Trends definitely show their faces in writing communities, and publishers pay attention. Self-publishing and online manuscript sharing are becoming huge right now. Maybe it’ll be the next big thing; you never know.

Rapid fire questions:

Angels or Demons

Angels (What, no Nephilim? *winks*)
Paper or Computer

Computer (although my 1^st draft of SE was handwritten because I didn’t have my computer yet, ugh!)
Edward or Jacob

Edward in the books. Jacob in the movies.
Coffee or Hot Chocolate

Coffee!!!
Snow or Sand

Sand

A new type of slush pile

Watch out publishing world, there's a new slush pile in town. Okay, inkpop's not exactly new - it's about a year-and-a-half old. But it's coming of age this year.

The second writer off inkpop to be published by HC has just been announced - my wonderful friend, and fellow YAtopian, Wendy Higgins with her novel Sweet Evil. I've been fortunate enough to read an ARC of the first novel off Inkpop being published Carrier of the Mark by another fantastic writing pal and YAtopian, Leigh Fallon.

I'm hanging out like crazy to see these books hit the shelves as I think it will herald in a new age in publishing as it is putting the readers in the drivers seat.

For those of you who don't know how inkpop works it goes a bit like this:

1.  Post your YA work (yep it's a YA friendly site).
2. Members read your work and comment on it. If they really like it they'll "pick it".
3. The most popular pieces of work at the end of each month make the "top five".
4. "Top 5" projects are read by a HC editor and they give you feedback.
5. If the editor falls in love with your story, they'll publish it.

Now there's been more than 50 projects make "Top 5" status and only two projects have been announced so far as getting the publishing tick.

Even work that doesn't make "Top 5" status still benefit from the community. The site was abuzz when it came out that Jeyn Roberts. was being published with Dark Inside. Jeyn only had her project up briefly as it was so good she got snavelled up quickly be an agent and a publisher before it could make the "Top 5". But members know Jeyn from the site and are excited as to read her book. It provides an additional following for members who are getting published.

When my novel Mishca made the "Top 5", it did so out of more than 25,000 pieces of work on the site - a fact I'm pretty proud of. While Mishca wasn't ready for publication at the time, the HC editor review gave me a great start on revisions. It's also the most successful piece of work on the site by an Australian writer. Personally I see that as a great marketing pitch. I know not all agents feel that way, but I wonder if attitudes will start to change once Sweet Evil and Carrier of the Mark rock the YA lit world (and having read the latter, I am sure they will!)

Similar communities are springing up with Figment and Book Country (Penguin). Figment has a specific category for authors to allow them to connect with their fans on the site. It's also great for connecting with other writers and getting feedback. The community created at Book Country is just amazing. I've gotten some of my most constructive feedback from people there. Though it is aimed at genre writers and you must be 18+ to be on the site.

While agents won't necessarily have the time to dredge through these sites looking for a diamond in the rough, I wonder how long it will take before it's universally deemed a positive thing to put inkpop success in a query letter?

I've had a positive response in Australia to my inkpop success so far, and I really hope something more eventuates from it. I think it is a great thing that the readers get the opportunity to have a say on what gets published before it hits the bookshelves. Sites like inkpop are great market research, and when Carrier of the Mark hits the shelves, we'll be able to see just how successful sites like this can be.

The Basics of Life - Book Launch!

Not only did I have my first ever short story published, but I scored the national book launch too!!

I managed not to cry, even though I was talking about why I wrote the story - my dad being diagnosed with terminal cancer. I actually had more sales of the book from other people than the number of copies I bought myself







I remember to thanks the awesome Ian and Karen at Collins Booksellers in Mackay for hosting the event and stocking the book (they rock!).



And I remember the plug:

You can order THE BASICS OF LIFE feature me! and Sophie Masson plus other great authors through Collins Booksellers Mackay (they'll post anywhere - even overseas!). (07) 49532777 or email books@collinsbooksmackay.com.au to order now. It will be in other stores (including online stores) soon. I'll update as I have the details. At $17.99 it's great value.

And finally - if you are an emerging Australian author check out auslit.net for anthology and competition opportunities as well as author interviews.

Looksie here!

Eeee!!  That's how I think most authors react when they see their cover for the first time. That's how excited I was. Followed by "A real book, my stories getting published in a real book."

It's surreal now. Imagine how I'm going to be in two days time for the book launch!

Win an ARC of one of the most anticipated releases of 2011

I am so hanging out for THE DARK INSIDE. I've been fortunate enough to read the first couple of chapters and I want more!

Haven't been lucky enough to read any of it? Well here's your chance to win a signed ARC.

Scoot on over to http://shusky20.blogspot.com/2011/05/guest-post-by-jeyn-roberts-giveaway-arc.html and get commenting!

Everything's coming up Sharon

I must confess I'm on a bit of a writing high at the moment. And there's irony in it all.

I suffered really bad writer's block after my dad died. However, I still had some things out there that I was hoping to get good news on. But I didn't. Things just stayed stagnant.

Frustrated, I got mad at Karma for some reason. I felt I was owed some good after all the bad I had been through in the last 18 months (my grandma died too). Pretty silly I know, but that was how I felt at the time.

After telling Karma exactly what I thought of the lack of good things coming my way a light bulb went off in my head. What if Karma was actually a person? Well not just one person, but a whole clan dedicated to keeping the balance in the universe.

I was planning on making it into a novel after I finished the first draft of Dirty Rainbow, but then I saw a competition for YA short stories. So I wrote Karma as a short story. And it's been short-listed. The first story I've written since Dad died and it's a success. And now I'm expanding it into a novel. (EDIT: Karma was runner-up in the competition and I got feedback as my prize from Sara Foster. She gave me great comments on ways to further develop the plot and characters AND she thought the concept should be expanded!)

And this was after I also found out that a story I wrote dealing with a loved-one being diagnosed with terminal cancer, Growth, was being published in The Australian Literary Review's anthology THE BASICS OF LIFE

These achievements are not huge life changing events in some ways. They are rather small achievements in the publishing world. But it's a start. So thank you Karma, as now I feel like everything's coming up Sharon.

Dark Inside by Jeyn Roberts

My rating: 5 of 5 stars


This is a Dystopian like no other. I was fortunate enough to read the few chapters while it was on Inkpop and I am hanging out for the rest.



Civilisations crumble from within, humans crumble from within because of the Dark Inside.



Right from the start I had chills.



The opening is not a prologue, but a scene setter. We get to see inside the mind of the evil to come. A taste, a tease.



Conflict, stakes and tortured MC are the great makings of a Dystopian novel. Right from the start we see one of the four MCs, Mason, isolated from his guiding light. When the world is about to implode, it’s the time you need those closest to you to be there to hold you and say everything is alright. Instead Mason faces what would be a teenager’s worst nightmare. When you’re MC is down, kick him some more with bad news, that also serves as great foreshadowing.



The second chapter introduces us to Aries. I could feel myself in her skin at times. I remember the anxiousness of being around weirdo strangers. Keeping the action pace high, we are hit with another seemingly mindless event of horror. No doubt that will fit together with other events once Roberts decides to let us see all the pieces of the puzzle.



What impressed me was the imagery she created. I loved getting inside the characters heads so thoroughly without relying on first person.



I can’t wait to read this all and expand on my review.





View all my reviews

Firming up your manuscript

Come on writers, work that keyboard, tighten those words, firm up your plot, edit hard or go home!

I'm not a big fan of editing. Give me someone else's work and I can do it - hey that's part of my day job after all. But when I re-read my own work my mind often reads what should be there rather than what is there.

Recently, I wrote a short story for a competition that was capped at 3,000 words. I decided to use a concept I already had for a novel and miniaturize it. That meant take the core concept, creating a couple of scenes to explain the plot (personifying a concept - a bit like Terry Pratchett by darker and less humorous) and tying up the conclusion.

I sent it off to my Beta and got some great notes, made her recommended changes and squeezed in just under 3,000 words. I was over the moon, until a thought hit me. Did she like the ending? She had commented on another short story that it felt like the end of a chapter not the end of a short story.

So I asked and she emailed back exactly that. D'oh! She thought there was more to come. So I called her and we thrashed it out. Of course she won - how can I argue with a former Uni Lit Lecturer? Besides, she was right.

Disappointed that I hadn't gotten it right first time, I wrote more, about another 400 words and sent it back. Yep, my Beta confirmed I now had a workable ending - and 400 words too many. So I called again and was told to cut one of two scenes. But I didn't want to - I loved them both.

So I was determined to cut more than 10% of my story without cutting plot content. I was mercilessly on the look out for superfluous words. And I found them! 400 of them!

I rearranged sentences more economically, I cut as many 'thats' and 'ands' I could, I culled unnecessary sentences - the frill bits.

At the end of it when I got to the word count I felt triumphant, then a bit crappy about how sloppy my writing was. But adhering to a word count helped me firm up my manuscript.

I'm thinking I might impose a culling goal on myself from now on so I can get in and edit with focus.

So how do you get motivated to editor or writing, or is it something that comes naturally to you?

BTW readers - I promise this post was not just an excuse to post shirtless men =P

I'm excited!

You betcha I'm excited. I just found out my short story Growth is being published in http://auslit.net/2011/03/30/basics-of-life-anthology/

The irony is the publication date will be around the anniversary of the events in the book. I won't go into details as I don't want to spoil it.

But one last thing:

Eeeeeeeeeeeeeee!!!!

Super agent Ammi-Joan Paquette pitch competition on YAtopia

Agent Pitch contest on my Group Blog - YAtopia

Don't post here, the comp is at - YAtopia

Agent Pitch Contest!!

Okay, here is the post you've all been waiting for! (or maybe not, but you should be excited!!).

Super agent Ammi-Joan Paquette has so kindly offered to host a pitch contest - our first, but definitely not last - on YAtopia. And seeing as she's currently closed to submissions, this is an opportunity you simply CANNOT miss out on.

It's really quite simple what you have to do. Ready?

1) Be a follower of the blog. Nice and easy.

2) Blog about this contest and include a link with your entry. If you don't have a blog, you may tweet or make a facebook status. But we prefer blog.

3) Create a TWO SENTENCE pitch. And not a massively long run-on sentence either. Two concise sentences that will hook Joan to your book and have her desperate to read more.

4) Include the opening line of your manuscript.

5) Manuscripts that you submit should be completed. I leave it up to you whether you decide to submit a half finished manuscript. You'll have to deal with it SHOULD Joan request you send her the full.

6) This contest will be capped at either 150 entries OR will end midnight on the 24th March.

7) Winners to be announced (along with prizes) on 31st March.

8) Only childrens and young adult categories will be accepted. Sorry!

What you need to post on YAtopia:

Name:
Email:
Story Name:
Genre:
Blog/Twitter/Facebook link:
2 Sentence Pitch:
Opening sentence:

WriteOnCon and their Fab prizes

Oh My Goodness. The most awesome conference every! Why? Because it's free if you have access to the Internet. Yep - that's it. No travel, no fees.

And there are Prizes!

Right now you can enter to win letter critiques from:

Jill Corcoran with Herman Agency Inc.
Ginger Clark with Curtis Brown LTD
Tina Wexler with ICM
Beth Fleisher with Clear Sailing Creatives
Marietta Zacker with Nancy Gallt Literary
Jennifer Rofe with Andrea Brown Literary
Sarah Davies with Greenhouse Literary

Just go to - http://writeoncon.com/ for more details!


About WriteOnCon in their on words:

WriteOnCon is an Online Children’s Writers Conference (rated MC-18, for Main Characters under 18 only) created by writers, for writers.


Our first Annual Conference was held: Tuesday – Thursday, August 10 – 12, 2010

Where: http://www.writeoncon.com

Cost: Free!

Who: That’s the best part—it’s for EVERYONE!

Attendees don’t need to take time off work, travel, or spend a truckload of money. They can enjoy the conference from the convenience of their own homes, for free—and the schedule is designed around working hours. (Transcripts are also available of the entire conference, should anyone have to miss part of it.) And everything for the conference takes place within this website, which means everyone with basic Internet access will be able to participate in all aspects of the conference—no additional software or technology required.

During the conference, keynote addresses, agent panels, and lectures are presented as blogs, vlogs, moderated chats, webinars, podcasts, and livestreaming. There is also a critique forum, where participants can post query letters and writing samples to receive helpful feedback and comments from their peers and industry professionals. And, as if that weren’t exciting enough, there are also daily contests, giving random winners everything from books to personalized critiques from agents.

It’s everything great about a writer’s conference, without any of the cost or inconvenience. Check back soon for our 2011 annual conference dates. And don’t miss our Monthly Live Events in the meantime!

Don't be a Twitter Twit

Twitter is a fun playground for many authors, agents and editors. They're a very open and giving community, willing to participate in designated Twitter chats where you can ask questions about the industry, trends and anything else that your heart desires relating to the topic.

This fab group also respond to individual tweets in you may have sent them - as long as it's not a creepy tweet or an unsolicited pitch.

Following agents and editors on Twitter allows you to get a glimpse at their personality and an idea if you match up personality wise, which can be important for the agent/author/editor relationship to work.

However there can be a pitfall here. You, and the hundred of other aspiring authors following them, can come to feel like you know these people and expect that when you query them they will automatically offer you representation because you have exactly what they are looking for (according to their tweets).

So here's some things to remember:

• It's not cool to pitch via Twitter to an agent or an author unless they are holding a specific contest that requires it.
• Getting on well with an agent/author on Twitter will not guarantee you'll get a publishing deal.
• Don't rant on Twitter bagging out an agent/editor for rejecting your work. It'll get back to them and score you a bad rep - hello google alerts!
• Remember that the writing industry is subjective. A rejection doesn't mean that your work is not good, it just means that they didn't feel strongly enough about the project you're querying on to take you on (a friend of mine is getting published and scored her agent on around the fourth manuscript she'd queried her with - don't give up, keep writing).
• You can follow these guys on Twitter, but it doesn't mean they want to friend you on Facebook.

Take advantage of what Twitter has to offer writers, but keep it real and be cool about how you engage agents, editors and authors in that space.

Another amazing contest

Aspiring author, Chanelle Gray -  represented by dream agent Victoria Marini & fellow YAtopian - is holding a Twitter pitch contest:

http://chanellegray.blogspot.com/2011/03/twitter-pitch-contest.html

1) The contest is now live!


2) It will be capped at the first 75 entries or, if we don't get 75 entries, it'll cut off at Midnight GMT on the 7th March.

3) You have to be a follower of my blog to enter.

4) You have to blog about this contest and post your link along with the twitter pitch. (If you don't have a blog, then Twitter or Facebook will do. But only if you don't have a blog - not instead).

5) Alongside your 140 twitter pitch (you'll be disqualified if it's longer) you'll be asked to submit the first three sentences of your manuscript - so make sure they're polished and ready to go!

6) Once the contest opens, it'll be first come first serve to enter. Anything after 75 entries won't be counted.

Remember, Michael Carr is looking for any age any genre. And works should be completed if he was to request the full manuscript, but you may take the risk without a finished manuscript if you choose.

Good luck! And don't forget to include a link to your blog post/twitter/facebook with your entry. And I'll allow posts to be made any time before you actually comment here. Including the same day. Please use the format as below:


Your name:

Title:

Genre & Age:

Twitter pitch:

3 Sentences:

Blog post:

So what are you waiting for! Get over to Chanelle's post and enter!

My "It was a Dark and Stormy Blogfest Contest" entry

The wonderful Brenda Blake is holding a first line contest where writer's post their first lines in their blog and people critique them. Once the critiquing is done we post them back on her blog: http://brenleedrake.blogspot.com/2011/01/blogfest-contest-with-prizes-from-agent.html

Here's my entry for my novel Mishca, let me know your thoughts in the comments section by 9th February. Mishca was voted a 'Top Pick' on the YA writer's site Inkpop, like the Carrier of the Mark - the first book to be published off the site.

Name: Sharon Johnston
Title: Mishca
Genre: YA Speculative Fiction

I always knew that I was adopted; it was pretty obvious. 

The prize is a critique on part of a manuscript and query letter with fabulous agent, Weronika Janczuk, so fingers crossed.

So, hit me with your thoughts below.

If you are a participant in the contest as well, please leave a link to your blog in the comment so I can check yours out too.

Leigh's Legacy

If you haven't heard the hype about Leigh Fallon and her debut novel, Carrier of the Mark - where have you been?! Leigh Fallon is the first member of Inkpop to be given a publishing contract by HarperCollins.

For those of you who don't know, Inkpop is a YA writer's site. Members read each others work and vote on their favourites with a 'pick'. Each month the five favourite projects are awarded 'Top Pick' status and their work is read by a HC editor.

Leigh was the first inkie to be offered a contract. Rumour has it there is more to come, but for now we know that Leigh is the first, of hopefully many, in a new way for YA writers to be discovered.

So let's find out about Leigh's journey.

Tell us a bit about your writer’s experience prior to inkpop:

Honestly, I’ve had a short run in. I’ve been quite lucky that things have moved incredibly fast for me. I started writing in March 2009. The Carrier of the Mark was my first manuscript and I had it finished by the end of the summer 2009. As soon as I’d finished, like a complete rookie who hadn’t a clue how the publishing world worked, I sent my manuscript to a few agents in Ireland and two publishers in Ireland who accepted unsolicited manuscripts. I didn’t know what I expected. I didn’t really think I’d be published, I guess I was chancing my arm, hoping that something might come of it. Of course it didn’t. I tried a couple in the UK then the US (just for a laugh), but still no joy. Then I posted my manuscript online on a few writers’ websites, and in December of that 2009 I discovered Inkpop, uploaded The Carrier of the Mark. Four weeks later it was in the top five and got reviewed, and a couple of weeks after that, I had a publishing contract.


How did you get your agent? Did your success on Inkpop contribute to that?

Again for me it was a quick thing and done sort of back to front. I’d half heartedly tried getting an agent before, but I was just getting the usual generic ‘thanks but no thanks’ letters back. HarperCollins offered me the contract and I saw an opportunity to snag an agent of my choice. So I picked my top three agents and typed up an email explaining the situation and sent it out. Within a week I’d made up my mind to go with Tina Wexler of ICM. ICM is huge, an international, and a full service agency, and Tina Wexler is both lovely and talented. We clicked immediately. Having an offer of a published deal obviously helped in my securing Tina, but I like to think that if I didn’t have the HarperCollins deal that she would have eventually found me in her slush pile.

Do you think, if The Carrier of the Mark is a best seller (which I’m sure it will be), that agents and editors will take success on writing sites like inkpop more serious and why?

Oh God, I hope the Carrier of the Mark will be a best seller! Oh could you imagine? *drools*

Actually, this is quite a tough question. I think publishers take the writing web sites more seriously than the agents. Agents can cherry pick. They have thousands of manuscripts being chucked at them every day. It’s easy for them to be dismissive. I don’t blame them, I’d be the same. As far as I can tell, agents really need to click with a manuscript. They need to believe in the work... love it. It’s not enough just to have a manuscript that was loved by loads of people on a website; they need to connect with it. For them, it’s not just a case, oh it will sell. They want be in love with it too. Publishers need to sell a book, and in large numbers in an increasingly difficult market. Writing websites like Inkpop give your book punch, because it’s giving your book potential sales statistics. Unfortunately, to get that book with the super sales statistics to a publisher you need an agent... catch 22.

Tell us a bit about what you’re working on at the moment, apart from ensuring your twins don’t lock you out of the house again?

LOL. Those kids of mine are always plotting against me. I haven’t a hope of staying a few steps ahead of them. I’ve accepted my fate, now I’m waiting for the next twin assault.

On the book front, I’m nearly finished the first draft of the sequel to The Carrier of the Mark. And I have another one or two books in the pipeline for that series. I’m also working on a ghost story called Haunting Jenny. I’ve been working on a book for the adult market; it’s a sarcastic parenting guide. I’m having great fun with that.

What was your reaction when you:

a) Found out that you were going to be published by HC through Inkpop?

Screamed, cried, laughed, and scared a herd of cows out the back of the house while I ran around the garden in hysterics.

b) Landed your agent?

Screamed, laughed, felt ever so smug and self satisfied, and I’m sure I scared the cows again (poor things).

c) Saw your cover for the first time?

I believe I sat at my computer screen in shocked awe... I may even have shed a tear, and I know for certain I didn’t sleep a wink that night.

Have you been practicing your signature? And do you have an exercise program in place to strengthen your hand (I have a feeling you are going to end up with writer’s cramp)?

OMG! I never even thought about practicing my signature, but now you say it; I’ll get right on that. Now will I go for L Fallon or Leigh Fallon or just Leigh ummmm decisions decisions? LOL. And no, I’ve no exercise program in place yet, but I’ve had a couple of personal hand trainers suggested to me. This is a serious business you know.

Rapid Fire questions:

Zombie or Unicorn? Zombie

Night or Day? Day

Cinema or DVD? DVD
Joggers or flip-flops Flip-flops

Fringe or no fringe? No fringe

Batman or Superman? Batman


Thanks so much Leigh! I look forward to reading it.

Here is some links to find out more about Leigh and Inkpop.

http://www.leighfallon.com/
http://www.inkpop.com/
http://mashable.com/2011/01/31/inkpop/
http://www.goodreads.com/author/show/4611175.Leigh_Fallon
http://www.youtube.com/watch?v=do5pwy4ydSQ
http://www.yatopia.blogspot.com/

How writers, readers and publishing industry professional can help flood victims

I am a proud Queensland. But tonight, I am also a sad Queenslander. I've cried at the lives cut short. In particular the 4 year-old boy who somehow fell off a rescue boat into raging flood waters (with a life jacket on) and died. And the 13 year-old boy who insisted that a rescuer take his younger brother, and then was swept to his death seconds later.

(ignore the ad at the start! http://au.news.yahoo.com/video/national/-/watch/23792464/flash-floods-sweep-through-toowoomba/ and here's the link if you want to see more footage)

People are pulling together in this time of crisis, and here is a couple of ways you can help is you like to read (there's an e-book to buy), work in the publishing industry (donate yourself for auction) or want to work in the publishing industry (bid on the auction).

Here's more on it from the wonderful people who came up with the ideas.

Fable Croft's words - not mine:

This limited (only on sale until February 15, 2011) ebook edition is being sold as a fundraiser for Queensland Flood Relief Appeal. All donations will go to the Appeal.

After the Rain was commissioned in 2010 and is due for release in April 2011. However, in the face of the ongoing flood disaster in Queensland, the authors and I have pulled together this limited ebook version as a fundraiser. The authors have freely given their stories for this use.

All payments will go to the Flood Appeal, and we are leaving it up to you to decide how much you want to pay for the book. We recommend at least AUD$10.00, but all donations are gratefully received. We hope you enjoy the book and thank you for your support.

http://fablecroft.com.au/books/after-the-rain/after-the-rain-after-the-floods-limited-ebook-edition
 

Writers Auction 4 QLD Flood Appeal's words, not mine:

This page is administrated by Australian authors Fleur McDonald, Kate Gordon, Katrina Germein and Emily Gale.

All of the donations pledged on the FB page, or through email, will be collated before the auction begins and listed on a central site (still under construction). Following the conclusion of the auction authors will be asked to mail their donation to the winning bidder or contact them about a mentorship etc.

We encourage authors to be creative with their donations - author talks, phone calls to aspiring writers etc. Thanks to everyone for their interest and support.

Email: kgermein@gmail.com, katesgordon@gmail.com, fleur@fleurmcdonald.com

http://www.facebook.com/?ref=home#!/pages/Writers-Auction-4-Queensland-Flood-Appeal/126145554117564

The Time Travelers Wife: Book verses Film

Warning: There is spoilage below!

I really prefer to read a story before I see the film version. And I'm really glad I did it this way for The Time Travelers Wife.

Usually, I'm a speed reader. I can devour a 300+ pages book in 24 hours then be eagerly looking for what to read next. But not with The Time Travelers Wife. It was so gritty and emotionally raw. And the complexities! I forced myself to slow down and only read small parts at a time, stopping regularly to think about what I had just read. In the end it took me about a month to finish the book. It was like I didn't want the book to end and was prolonging our farewell.

My mother is currently in town visiting and I lent her a stack load of my books to pass the time. The Time Travelers Wife being one of them. I decided to have a girlie night with Mum and hired out the movie version for us to watch. As they always do, the book story was hacked and slashed. Big chunks of the plot and details were missing.

But you know what, it didn't spoil it for me. Even though they took out the bits that made the book such a harsh but amazing love story, not having those bits in was what made the movie work for me.

So I'll explain more what I mean.

Gomez & Clare
The Book
The whole Gomez/Clare relationship made the situation more real, more plausible for me. Everything was all sunshine and roses. Clare was human and made mistakes. Sleeping with her best friends guy, before she was finally reunited with Henry and out of grief after he died showed us she wasn't the perfect heroine. But she was emotional, in love and in need of someone to touch, even if she was consumed with thoughts of Henry. It explained so much of Gomez's behaviour towards Henry. The Gomez/Clare dynamic took us to some really private places and highlighted Clare's frailty.

The Movie
Gomez/Clare having slept together wasn't part of the movie. But we still saw Gomez being overly protective of Clare, insisting that she not marry Henry. I'm not sure if this behaviour would have been a bit off to people who hadn't read the book, but I was there thinking that he was only saying that because he wants back into her pants. We miss out on Charisse's self-doubt and relationships with Clare with the movie adaption, which is what I miss the most. But I didn't mind that removing the Gomez/Clare factor made the story cleaner and more of a fairytale.

Sex and Violence and other seedy stuff.
The Book
Sex plays a strong role in the book. It's actually part of the temporary "cure" for Henry's chrono-displacement. The more sex and exercise he has, the less he time travels. There is also the first sexual encounter between Henry and Clare before they are reunited on the same time-stream. To be honest I found these a but brutal. I wouldn't class myself as a prude, but sometimes the sex scenes made me squirm. In no way were they written like erotica. They were raw and real and animalistic with their physical attraction to each other.

The book has it's share of violence and law breaking. The scene where the boy from school is confronted is rather powerful. I found the ease at which Henry stole interesting and very realistic for the given situation.

The Movie
There was a lack of sex in the movie, which I was happy about sitting next to my mother while watching it, but I was also disappointed that they took away that emotional dynamic from the viewers. Like I said earlier, it makes the story more fairytale like (well more Hollywood), and I didn't mind not seeing the scenes. But I would have liked to have seen that passion in other ways.

The violence was toned down, possibly to ensure a friendlier rating. The scenes where Henry finds himself in trouble were brief. And the incident with the boy from school was completely removed - let's face it, threatening a teenager with a gun in a movie would not go down well with everyone.

Confronting Content
The Book
The ex, the alcohol, the amputation were some of the most confronting parts of the book. Henry is in self destruction mode when he and Clare's times get ready to align. He doesn't know that his love is waiting for him. Just as Gomez highlighted the human flaws in Clare, Ingrid and his alcohol self-medication highlighted them in Henry. The two of them were on a downward spiral together, but Clare pulled Henry out of it. He knew everything was going to be okay because Clare knew it. But Ingrid just knew she had lot him.

One of the hardest parts of the book for me to deal with was the loss of Henry's feet. I was still hoping for a happily ever after, despite the dark foreshadowing earlier in the book. The impact on their relationship and the implication on Henry's time travel, and him ultimately witnessing Ingrid's suicide, grounded the reader in the truth - this is a great love story, but it is not a fairytale love.

The Movie
Some lipstick is the only evidence of Ingrid. Like the Gomez/Clare saga, this has been erase to keep the focus on Henry and Clare. The only evidence of his alcohol issues comes more from his conversations with his father. I would have liked to have seen the self-destructive Henry.

I really liked how they dealt with the frostbite in the movie. The important thing was that he was immobile and he didn't have to lose his feet to achieve that. The results were just as powerful.

Overall
I equally enjoyed the book and the movie, each for very different reasons. I preferred the book over the movie in a lot of ways, but I got something out of the movie that I just didn't get in the book - knowing and waiting for a loved one to die. Maybe it's because I read the book before Dad died of cancer (I possibly read it before he was diagnosed). But I felt this kinship with the movie on this. The heartache of Alba and Clare knowing that his death is coming is an agonising wait. If I reread the book know, I would probably feel this too. But I saw the looks on their faces in my family in the lead-up to my father's death.

The ending of the movie also gave more hope than the book, which I won't spoil here just in case you haven't read/watched it (I know, I know - I've already given it away that he died). The endings are so very different for what they imply and I found more hope in the movie ending, but more true love in the book ending.

In movie form and book form, Henry and Clare go down as one of my favourite couples of all time. Thank you Audrey Niffienegger!

Something new is coming & you could win a copy of Paranormalcy & Blood Countess by being a part of it!

DJ DESMYTER
DJ is a proud writer of young adult paranormal-romance who suffers from Sexy New Idea Syndrome and currently writes from his bedroom. His novel HUNTED will be published by Pendrell Publishing in 2011. In addition to novel-writing, he is also a singer/songwriter and book blogger. His reviews and songs can be found on his site, DJ's Life in Fiction. As he continues to grow as a person and a reader, DJ hopes to continue growing as a writer and can't wait to see where his stories take him. Find HUNTED on Facebook and GoodReads!




 

LEIGH FALLON

Leigh was born in South Africa, raised in Dublin, Ireland and moved to Cork in her 20s. While living in beautiful Kinsale, Co Cork she discovered a love of writing. When Ireland's rich history and magical tales combined with Leigh's convent school upbringing, her brain became a breeding ground for inspiration. She writes mainly for the young adult market. Her debut novel, CARRIER OF THE MARK, is being published by HarperTeen and will be released in September 2011. You can check it on Amazon, Barnes & Noble, and Goodreads.

Leigh has another two books in the Carrier series and a few other projects she's working on. She can be found lurking in cyberspace on Twitter, Facebook, Myspace, Inkpop, and many more. On the odd occasion when she steps back into reality, she spends her time with her husband and four children, sharing her time between her homes in Massachusetts and Ireland. You can find out more about Leigh at http://www.leighfallon.com/

Represented by: Tina Wexler - ICM (International Creative Management), New York.



CHANELLE GRAY

Chanelle Gray is a 23-year-old from London who enjoys a multitude of things, including reading, writing, shopping, and eating! Currently, she works for the Ministry of Justice, where she is the deputy manager of her team. There are no kiddies in her life yet, but she does have two naughty dogs and one adorable nephew, who she dotes on. Her current literary preferences include paranormal romances and all contemporary works. She has completed over eight novels, and spends any free time she has on completing more or reviewing any book she gets her hands on.

Her debut novel MY HEART BE DAMNED will be published in Fall 2012 by kNight Romance publishers. Add it to Goodreads here.

Chanelle blogs over at Beyond Words and also uses twitter, where she tweets about not only writing related matters, but anything that randomly comes to mind. She is represented by Victoria Marini of the Gelfman and Schneider Lit agency.


 

WENDY HIGGINS

Wendy Higgins is a former high school English teacher turned on-the-go mom. She lives with her husband, two children, and their mutt in Northern Virginia. Wendy earned a B.A. in Creative Writing from George Mason University and a M.S. in Curriculum and Instruction from Radford University. An avid day-dreamer, she prefers to safely shake-up her stable life by escaping into literature and her own active imagination.

SWEET EVIL, Wendy's debut novel, is being published by HarperTeen in 2012. It came to her in a rush of inspiration when she was feeling disheartened about no longer teaching. Writing for Young Adults has given her the opportunity to delve into the ambiguities of those pivotal years before adulthood. You can follow her writing journey on her personal blog and Twitter.

 

SHARON JOHNSTON (aka ME!)

Sharon is a corporate communication manager and a former journalist from Australia who writes in her spare time. SLEEPER is Sharon's first novel that she is currently querying. Although she normally writes about the strange and the weird, her first publication will be a general fiction short story call GROWTH as part of The Australian Literary Review's anthology THE BASICS OF LIFE.

Sharon loves YA, science-fiction, speculative fiction, paranormal and anything that comes from the deepest darkest parts of someone's mind. She draws inspiration from local writers who have made it in the tough Australian publishing industry such as Tara Moss, Kerri Arthurs, Karen Brooks and Emily Rodda.

Well-known for her fantastic taste in shoes, Sharon has actually been stalked by women wanting to know where she got her high heels from. She invites you to read her personal blog and she is a Twitter fiend so follow her @S_M_Johnston.

SARAH NICOLAS

Sarah is a twenty-something who currently lives in the Florida Keys with her family, four chihuahuas and one 50-lb wannabe chihuahua. Fantasy and Sci-Fi are her favorite genres, but she loves all YA - especially anything written by Laurie Halse Anderson. Sarah believes that some boys are worth trusting, all girls have power, and dragons are people too.

Sarah’s a proud member of the Gator Nation and has a BS in Mechanical Engineering (That’s a “BS ME” for those of you keeping track) with a minor in Sales. Volunteering and non-profit work is important to her and she's always raising money for one cause or another. She interns with a small publisher, reading manuscripts.

She also blogs at http://www.sarahnicolas.com/ and is obsessed with Twitter, so she'd love for you to follow her @sarah_nicolas. Tumblr is her newest favorite distraction. Sarah and her sister, Kayelee, can be seen vlogging every Saturday at the YA Rebels.

KELLEY VITOLLO

Kelley Vitollo was one of those girls who dreamed of growing up and writing stories. Young at heart, her passion has always been writing about teens. Now, in her early thirties (shh, don’t tell), she’s finally working on making that dream come true. Her YA novel, LET'S GET PHYSICAL is currently on submission. She recently finished FREEING CARTER, a book that is extremely close to her heart.

She has a passion for character-driven stories and is a total romantic at heart. In her books, she adores exploring the whole journey of falling in love; from stolen glances, to innocent touches, and ultimately falling head-over-heels in love.

When not writing or devouring books by some of her favorite authors like Sarah Ockler, Cassandra Clare, and Jenny Han (amongst others), you can find her online at her personal blog or on twitter at @KelleyVitollo. Kelley lives in sunny Southern California with her incredible husband and two beautiful daughters.

KELLEY YORK

Kelley York has been a writer and artist for as long as she can remember, and she has a goofy-looking trophy from a first grade story contest to attest to that. She has always been fascinated with character creation and story-telling, leaning toward the dark and slightly morbid side of things in her writing. She's married to a fantastic wife who puts up with all her craziness.

Within young adult, she enjoys writing and reading a variety of genres. The darker, the better. Give her tragic characters and sympathetic villains all the way. Romance is super, but it takes the back-burner to great character development and growth. Kelley likes chasing her characters up trees and pelting them with rocks (and small explosives) before giving them their happily ever afters.

Kelley's dark YA thriller, HUSHED, is now available from Entangled Publishing.

Kelley keeps her own blog at Flowers for Ghosts, and you can follow her on Twitter, @elixing.

A ten point Harry Potter 7 Review with no Spoilers

Well I went got to see Harry Potter 7 five days after it came out. Managed to avoid most spoilers, except for one on Twitter (gggrrrrr TWITTER!). So I decided to do some fun observations with no spoilers:

1. This was the best adaption from the book series so far.
2. Where the heck did they hide Ralph Fiennes nose?!
3. Dobby should have been in more of the movies. He got heaps of laughs and was in Harry's words "brilliant."
4. Daniel Radcliffe at times appears to have a small mouth in proportion to the rest of his face.
5. I lost track of how many times I teared up.
6. I kept thinking how grown up Daniel Radcliffe looked, and then taller men would be in scenes and he looked so young again.
7. Emma Watson nailed it.
8. The scenery was amazingly gorgeous!
9. There is a scene that I thought "I don't remember THAT in the book." (You'll know it when you see it)
10. I discovered what a fan I am as I went 2 1/2 hours without taking a pee!

So there you have it - no telling you what you already know from the book, and the fantastic interpretation that you don't know about.

So if you are going to comment - respect the no spoilers rule. =P

Riding on a wave of inspiration

I love Saturdays. I ride out to Eimeo Beach, thinking about the story I'm currently writing. Scenes flash through my head, dialogue goes round and around in my mind, continuity issues get identified and sometimes new ideas poke their way in. I daydream and somehow manage not to get run over (and I've learnt the trick to avoid getting swooped by the magpies without wearing those antenna looking things from my helmet).

When I finally coast into the carpark, hubby is normally already there setting up the beach (yes I'm a crazy woman who does a 30 minute ride when the rest of her family take a 10 minute drive). I jump in the beach buggy as he sets up the flags, still letting the thoughts from the ride roll around in my head.

We do the stinger drags, throwing back the fish we inadvertently catch and checking for any deadly box jellyfish and irukandji jellyfish (we hae a month hopefully before they hit our beaches). Then I usually get to go off by myself, settle into a chair with a view of the ocean and write for a solid hour - a luxury that I don't get very often at home unless I stay up into the wee hours of the morning.

Then I go get lunch from Nemos Fish Bar. They make the best fish burgers, according to my husband and eldest son and I can honestly say I do not ever remember having a nicer piece of takeaway fish.

After feasting on fish and salad, I laze around with family (also prodding my youngest to finish his lunch, which can be a 30 minute job). This then brings me to an important junction, another hour of writing or reading on the beach. Either way, the lapping waves and idyllic beach setting are a great backdrop. Today is was overcast and my writing groove was on so I opted to keep writing. Once my writing/reading hour is up it's more family time.

When it's time for hubby to start packing up the beach, I get back on the bike for the ride home, which is always quicker than the ride there. Again the stories rolls through my head, along with the occasional blog post,

Next week I'm changing up my routine a bit as I am going outrigging. There's a social out rigging group that is out when we turn up in the mornings so I'm taking advantage of trying something new. Hopefully being out on the water will provide a different inspirational experience (I feel an ocean story brewing) and it doesn't just leave me too exhausted that I end up drooling on my laptop.